Artist Interview: George Horner, an exhibitor in “Light”
440 Gallery Director Amy Williams chatted with artist George Horner, an exhibitor in our 2019 theme show “Light.” Horner works in mediums that are not always considered traditional or “high … Continue reading
Intuition is My Ally: Spontaneity and Structure in the Work of Amy Weil
I was always drawing when I was younger, ever since I can remember. I especially loved drawing horses as a child. Now I am a painter, focusing on the medium … Continue reading
David Stock: Finding Drama, Humor, and Pathos in the Everyday World
My parents gave me a camera when I was 14, and I was immediately hooked. I loved the way the camera could select and isolate a particular moment and place. I got the feeling that this might allow me to express something personal.
Threaded Memories by Tricia Townes
My “Family Album Series” is about trying to capture that fleeting sense of familial connections through the time-bound things that many families collect to spur those memories– snapshots, old linens, and sometimes buttons and other sewing notions.
Oct/Nov: What’s going on with 440 Gallery Artists, part II
More of what we’re working on and showing this fall. We are busy! ∧ Downtown Manhattan showcase for Gail Flanery, Karen Gibbons and Ellen Chuse Ongoing, take advantage of our … Continue reading
Oct/Nov: What’s going on with 440 Gallery Artists, part 1
The fall art-show scene is in full swing and here’s where we are at: ∧ 440 pops up at BrooklynWorks at 159 We’re pleased to partner with this neighborhood co-working … Continue reading
How We Spent the Summer + What We’re Doing this Fall, part II
Here’s more to the roundup of what some 440 Gallery artists have been working on: ∧ Susan Greenstein has had a most productive few months, as only a teacher can … Continue reading
The Traveling Artist
Artists have always treasured the opportunity to travel to new locations to make their art. As a way to grow artistically, many of us seek the stimulation of a new … Continue reading
Waxing Eloquent
by Amy Weil When I was in art school, I was aware of only a couple of artists who were working with encaustic paint and I dismissed the medium as … Continue reading